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The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

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Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

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THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

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NEWSLETTER
FAKEWHALE FAKEWHALE
Popular Categories
  • EXHIBITIONS
  • DIALOGUES
  • INSIGHTS
  • CORE
  • MARKET
Trending Now
1

The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

byfakewhale
2

Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

byfakewhale
3

THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

byfakewhale
Home 2024

2024

January 30, 2025

Andréa Spartà, “Room Temperature” at La Centrale, Ruoms

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January 28, 2025

“Nuances #2” at Théâtre, Scène nationale de Macôn, Macôn

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January 24, 2025

“Invisible Cities” at Frappant Galerie, Hamburg

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January 20, 2025

Clare Gatto and Kara Güt, “Magic Circle” at Museum of Contemporary Art Detroit (MOCAD), Detroit

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January 19, 2025

“Beyond Our Bodies Our Beings Extend” at Pilot Gallery, Riga

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January 16, 2025

Jun Ong, “Halo,” at Xiu De Bai Pavilion, Yan Shui, Tainan, Taiwan

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January 14, 2025

Burak Kabadayi, “Whether it’s a desert or not is irrelevant,” at IMALAT-HANE, Bursa.

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January 10, 2025

Taylah Hasaballah, “DIG,” at -33.885818, 151.198639, Sydney.

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December 27, 2024

Weiyu Chen, “Restraned Desre, 2024,” at HEAD-Genève, Geneva.

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