CORE
The space where Fakewhale develops its deepest research and critical perspectives. A members-only environment bringing together original analysis, reports, and practical resources to better understand how emerging technologies are reshaping society and artistic practice.
CORENewMembersThe Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries
COREMembersPost-Media Logics and Condition: the Business of Synthetic Experience
AICOREMembersHow Extreme Ideas Become Acceptable: From the Overton Window to Jenny Holzer and the Mechanics of Social Media
AICOREMembersTraders of Aura: What We Buy Beyond the Object. Alessandro Dal Lago and Serena Giordano on How Value Is Created in Art
COREMembersTHE APPROXIMATION OF THE GAZE: THE WORK YOU NEVER SEE
AICOREMembersFiction Is Where Real Feelings Hide: You’re Not Crying for the Character. You’re Crying for Yourself
COREMembersTHE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice
AICOREMembersLooking Familiar: The Art of Being Second
AICOREMembersTHE POWER OF IDEALIZATION: WHY WE DESIRE RECOGNITION FROM THE ART WORLD
AICOREMembersThe Reverse Readymade: Duchamp and the Degradation of Art Into Function, Part II
AICOREMembersWhat Remains of the Radical? Practices of Discontinuity in the Present
AICOREMembersCollectors Only Look Now: When Attention Replaces Acquisition
AICOREMembersThe Art of Knowing When to Kill a Project
AICOREMembersBuying Art Before Even Seeing It: When the Algorithm Chooses for Us
AICOREMembersCreation Is Shifting from Building to Choosing: The Grammar of Possibility in an Age of Infinite Options
AICOREMembersThe Reverse Readymade: Duchamp and the Degradation of Art Into Function
AICOREMembersPredictive Sensing of Interfaces: Anticipation, Desire, and Programmed Proximity
AICOREMembersSynthetic Vision and the Right to Appear