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The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

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Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

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THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

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NEWSLETTER
FAKEWHALE FAKEWHALE
Popular Categories
  • EXHIBITIONS
  • DIALOGUES
  • INSIGHTS
  • CORE
  • MARKET
Trending Now
1

The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

byfakewhale
2

Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

byfakewhale
3

THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

byfakewhale
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October 16, 2026

How Extreme Ideas Become Acceptable: From the Overton Window to Jenny Holzer and the Mechanics of Social Media

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October 9, 2026

Water in Contemporary Art: The Most Notable Works Made with Water

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October 9, 2026

Looking Familiar: The Art of Being Second

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October 4, 2026

Why Figure Sent Its F.02 Robots to a Furnace: A Finnish foundry, a Terminator 2 Cameo, and the Afterlife of Proprietary Machines

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October 1, 2026

Traders of Aura: What We Buy Beyond the Object. Alessandro Dal Lago and Serena Giordano on How Value Is Created in Art

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October 1, 2026

The Psychology of Selling Art: 10 Strategies That Move Buyers From Interest to Action

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September 8, 2026

Fiction Is Where Real Feelings Hide: You’re Not Crying for the Character. You’re Crying for Yourself

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September 5, 2026

THE POWER OF IDEALIZATION: WHY WE DESIRE RECOGNITION FROM THE ART WORLD

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September 2, 2026

The Reverse Readymade: Duchamp and the Degradation of Art Into Function, Part II

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August 29, 2026

What Remains of the Radical? Practices of Discontinuity in the Present

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August 29, 2026

Collectors Only Look Now: When Attention Replaces Acquisition

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August 27, 2026

Meta’s $17.1 Billion Settlement and the Battle Over How We See

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