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The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

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Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

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THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

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NEWSLETTER
FAKEWHALE FAKEWHALE
Popular Categories
  • EXHIBITIONS
  • DIALOGUES
  • INSIGHTS
  • CORE
  • MARKET
Trending Now
1

The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

byfakewhale
2

Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

byfakewhale
3

THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

byfakewhale
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September 18, 2026

ICONS 6:12: The Body at the Speed of Its Image

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June 3, 2026

Bengt Tibert, DRESSED TO KILL: The Committed Body in Ordinary Space

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October 9, 2025

Bengt Tibert, BODIES OF WORK

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July 17, 2025

Fakewhale in conversation with François Vogel: ENTRO_PY, Elasticity as an entropic trigger of expanded reality

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June 19, 2025

Andreas Rau, Symphony for n Metronomes: A shared time, a distributed gesture

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May 27, 2025

FAKEWHALE in conversation with Jan Robert Leegte

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May 5, 2025

Fakewhale Presents C2ASH by Jesse Draxler on Verse

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Visual Detachment
March 24, 2025

Visual Detachment x Verse: Retina Misconceptions Allow Boundless Medium

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March 3, 2025

Fakewhale Presents The Mousetrap by Iñigo Bilbao on Verse

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Startitendit-Scerbo-Unknown-Collector - fakewhale log
September 18, 2023

Anti-crash by Scerbo

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April 24, 2023

Re-Placement: A Verse Installation curated by Fakewhale

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diewiththemostlikes
March 2, 2023

diewiththemostlikes: A Digital Confrontation with Our Own Existence

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