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The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

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Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

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THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

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NEWSLETTER
FAKEWHALE FAKEWHALE
Popular Categories
  • EXHIBITIONS
  • DIALOGUES
  • INSIGHTS
  • CORE
  • MARKET
Trending Now
1

The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

byfakewhale
2

Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

byfakewhale
3

THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

byfakewhale
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August 14, 2026

SATA Fest’s Worthy Challenge to Hong Kong’s Relentless Efficiency

byBenoit Palop
June 30, 2026

THE STORY OF THE IUVENTA: The Criminalisation of International Solidarity and the Role of Art

bySofia Baldi Pighi
April 27, 2026

Mountain Cosmogony

bySofia Baldi Pighi
April 14, 2026

Rirkrit Tiravanija, The House That Jack Built. A re-enactment retrospective at Pirelli Hangar Bicocca

byMatteo Giovanelli
December 30, 2025

Tram0 and the Craft of Infrastructure in Hong Kong

byBenoit Palop
October 13, 2025

Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell

byBenoit Palop
September 26, 2025

Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli

byMatteo Giovanelli
September 8, 2025

The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi

bySofia Baldi Pighi
August 20, 2025

Curating Otherwise: Interdependence as a Tool to Practice

byIlaria Sponda
April 29, 2025

Programmed Bodies: Contemporary Performance Between Aesthetics and Technological Embodiment

byGiulia Moscheni
April 24, 2025

Graffiti. From the Spray Paintings & Underground to the Museion

byMatteo Giovanelli
March 26, 2025

Losing the Backup Fragments of a Fading Digital Memory

byMatilde Crucitti
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