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The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

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Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

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THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

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NEWSLETTER
FAKEWHALE FAKEWHALE
Popular Categories
  • EXHIBITIONS
  • DIALOGUES
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  • MARKET
Trending Now
1

The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

byfakewhale
2

Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

byfakewhale
3

THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

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Home Fakewhale Vault

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Kim Asendorf
February 19, 2024

Kim Asendorf: From Pixel to Paradigm

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WOC _COVER
November 27, 2023

Woc: At the Intersection of Graffiti and Contemporary Iconography

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November 27, 2023

Scorpion Dagger: Bridging the Gap between Old Masters and Modern Culture

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Quasimondo cover
November 13, 2023

Quasimondo: Redefining Machine Creativity

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Leander Herzog
November 13, 2023

Leander Herzog ‘s Contemporary Minimalism and Innovative Abstraction

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Frederik Vanhoutte
November 13, 2023

Frederik Vanhoutte: The Synesthetic Scientist

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Lorna Mills
October 30, 2023

Lorna Mills: Animated Mosaic Collages & the Art of GIF

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Norman Harman - cover
October 30, 2023

Norman Harman: The Art of Digital Fragments and Analog Realities

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Gary Edward Blum _COVER
October 16, 2023

Gary Edward Blum: Meditations within Minimalist Abstraction

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October 16, 2023

Francoise Gamma: The Art of Crafting Narratives with Single-Pixel Precision

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October 16, 2023

Mit Borrás: Unveiling The Canvas of Post-Human Consciousness Through Transhumanist Artistry

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ROBNESS
October 2, 2023

Robness: Unfolding the Journey of a CryptoArt Luminary

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