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60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb

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Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

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Sanna Helena Berger, Difference at Matteo Cantarella, Copenhagen

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NEWSLETTER
FAKEWHALE FAKEWHALE
Popular Categories
  • EXHIBITIONS
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  • MARKET
  • CORE
Trending Now
1

60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb

byfakewhale
2

Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

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3

Sanna Helena Berger, Difference at Matteo Cantarella, Copenhagen

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December 30, 2024

Skygolpe: Digital Maieutics

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December 27, 2024

Suspended in Transition: Peter Wächtler’s Exploration of Failure and Impermanence

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December 27, 2024

Weiyu Chen, “Restraned Desre, 2024,” at HEAD-Genève, Geneva.

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December 27, 2024

Natalia Drabik and Thomas Musehold, “Under the Spell,” at AURA Kunstraum, Düsseldorf.

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December 27, 2024

Michael Webster, “Sonic Fictions,” at Cecilia Coker Bell Gallery at Coker University, Hartsville.

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December 26, 2024

Theo Papandreopoulos, “CARNYX,” at Koppel Project – PAUSE/FRAME, London.

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December 26, 2024

Marek Wolfryd, “The Great Logic of Contents that Bind the World into Existence or ‘Season’s Greetings!'” at Swivel Gallery, New York City.

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December 26, 2024

Nestor Siré and Steffen Köhn, “CTRL+ALT+REPAIR,” at Moesgaard Museum, Aarhus.

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December 26, 2024

Beatriz Olabarrieta, “Proximity,” at Shahin Zarinbal, Berlin.

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December 26, 2024

Sarah Neumann, Tom König, Suzie Callisz, Maria Margolina, Jakob Floess, and Maxim Tur, “Cryptogramme,” at Komplot, Brussels.

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December 25, 2024

Lewis Henderson, “No One Is Bored, Everything Is Boring,” at Galleri Mejan, Stockholm.

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December 25, 2024

Beatrice Vorster, Szilvia Bolla, Sabrina Ratté, Evangelia Dimitrakopoulou, Amélie Mckee, and Melle Nieling, “LOG 3: Interceptor,” at Plicnik Space Initiative, London.

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