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The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

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Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

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THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

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NEWSLETTER
FAKEWHALE FAKEWHALE
Popular Categories
  • EXHIBITIONS
  • DIALOGUES
  • INSIGHTS
  • CORE
  • MARKET
Trending Now
1

The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

byfakewhale
2

Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

byfakewhale
3

THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

byfakewhale
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Insights

September 18, 2026

ICONS 6:12: The Body at the Speed of Its Image

byfakewhale
August 14, 2026

SATA Fest’s Worthy Challenge to Hong Kong’s Relentless Efficiency

byBenoit Palop
June 30, 2026

THE STORY OF THE IUVENTA: The Criminalisation of International Solidarity and the Role of Art

bySofia Baldi Pighi
June 3, 2026

Bengt Tibert, DRESSED TO KILL: The Committed Body in Ordinary Space

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April 27, 2026

Mountain Cosmogony

bySofia Baldi Pighi
April 23, 2026

In Minor Keys: The Subtle Tonalities Set to Redefine the 2026 Art Biennale

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April 14, 2026

Light Beyond Illumination: Radiation and Presence in Contemporary Art

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April 14, 2026

Rirkrit Tiravanija, The House That Jack Built. A re-enactment retrospective at Pirelli Hangar Bicocca

byMatteo Giovanelli
April 8, 2026

MiroFish: Inside the AI That Tests the Future Before It Happens

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March 20, 2026

The Viewer After Scarcity: New literacies for an art that grows without asking for consent

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March 16, 2026

When Cinema Meets the Dataset: Hollywood Draws a Line Around AI

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March 5, 2026

Perception in Flux. From matter to code, rethinking the conditions of experience

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