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60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb

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NEWSLETTER
FAKEWHALE FAKEWHALE
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Trending Now
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60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb

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Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

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Sanna Helena Berger, Difference at Matteo Cantarella, Copenhagen

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CORE

The nucleus where critical research, philosophical inquiry, and artistic production converge through FakeWhale’s generative infrastructure.

February 4, 2026

Aesthetics of Prediction: When Taste Is Calculated Before It Exists

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January 22, 2026

The End of Function

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January 16, 2026

Omniscience on Demand: AI and the Collapse of the Learning Process

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January 14, 2026

After Evidence: Trust, Images, and the End of Visual Certainty

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January 1, 2026

The Artist as Channel

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December 23, 2025

When AI Stops Assisting and Starts Defining Reality

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December 17, 2025

Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Us

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December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

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December 1, 2025

Not Meanings but Intentions – The Work Before Sense

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November 4, 2025

The Economy of Absence: Scarcity and Value in Contemporary Art

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October 30, 2025

The Illusion of Thinking: On the Comfort of Stereotypes

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October 27, 2025

The Art of Confusion: How Markets Transformed Exclusion into Value

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