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60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb

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Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

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NEWSLETTER
FAKEWHALE FAKEWHALE
Popular Categories
  • EXHIBITIONS
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Trending Now
1

60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb

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2

Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

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Sanna Helena Berger, Difference at Matteo Cantarella, Copenhagen

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CORE

The nucleus where critical research, philosophical inquiry, and artistic production converge through FakeWhale’s generative infrastructure.

October 27, 2025

The Thinking Game: On the Cognitive Origins of Play

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October 24, 2025

The Digital Frontier of a New Artistic Underground

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October 3, 2025

Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility

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September 15, 2025

Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art

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September 2, 2025

From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art

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August 25, 2025

When Nothing Weighs More Than Stone

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August 15, 2025

Post-Referential Space: A New Paradigm for Exhibition and Experience

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August 8, 2025

Aesthetics of Suspicion: Contemporary Art ∞ Web3

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August 5, 2025

Crafted for Your Attention: As Predictable as Art

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August 5, 2025

“The Illusion of Thinking”: Learning to Fail

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July 29, 2025

“The Illusion of Thinking”: When Art Learns to Simulate Depth

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July 4, 2025

Collecting the Digital: the Gesture, the Container, the Era

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