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The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

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Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

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THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

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NEWSLETTER
FAKEWHALE FAKEWHALE
Popular Categories
  • EXHIBITIONS
  • DIALOGUES
  • INSIGHTS
  • CORE
  • MARKET
Trending Now
1

The Economics of Art History: How Capital and Financial Markets Have Shaped Artistic Movements Across Centuries

byfakewhale
2

Marcello Maloberti, CIEL at Art Basel Paris Public Program, Paris

byfakewhale
3

THE ARTIST MUST STOP BEING AN ARTIST: The Governance of Artistic Practice

byfakewhale
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June 19, 2026

The Enrichment Threshold: Is Mythos a Weapon?

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June 17, 2026

Style as Trend Report: Anti-Slop and the Preemptive Capture of Rebellion

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June 14, 2026

Does the Wound Still Hold: Performance Art, the Body, and the Question the Network Has Not Closed

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June 11, 2026

Do You Still Trust Yourself? Assisted Thought and the Cost of Not Knowing

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June 10, 2026

Film and Parameter: The Synthetic Condition of the Gaze

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June 9, 2026

Choreography and Capture: An Anatomy of Life as Permanent Performance

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June 3, 2026

In the Post-AI Era, is the rise of conceptual thinking an empowerment of the mind, or the System’s highest form of efficiency?

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May 31, 2026

The Tool Becomes the Medium: Fakewhale Studio and the Rethinking of Images, Authorship, and Visual Production

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May 25, 2026

The Market for Human Purity: When AI Disclosure Turns Absence into a Measure of Value

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May 15, 2026

Protocol and Flesh: A Language Model as Witness to Artistic Practice

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May 15, 2026

Works Of Art As Spectacles Of Entertainment And Distraction: The New Trend Shaping Biennials And International Art Fairs.

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May 12, 2026

THE NEW OPIUM: Language Models, Familiarity, and the Sedation of Critical Distance

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